If you watched ‘It Ain’t Me Babe’ from this same show you might be thinking – this must have been great show. I am only hearing the performances for the first time now and there is something funny about the way Bob Dylan is delivering the songs.

Perhaps that was the kind of performances he was giving around the time. If you ask me I think he still felt bitter about the hippies cramping his style back in the 60s and is giving a ‘fuck you woodstock’ kind of delivery.

Maybe he regretted not playing at the original Woodstock and he was trying to make up for it.

Here is a Great version of Don’t Think Twice to my ears. I didn’t know how they were going to lift the song off the ground at first but they soon enough sorted out a rockin’ groove – pretty fast too. It wears me out just thinking about playing the double bass like Tony Garnier in a song like this. Great band.

For someone who wasn’t too hot on the whole ‘Woodstock’ idea he gave a amazing performance for ‘Woodstock 1994′.

What a massive crowd there was that night – so tame.

Dylan sings beautifully on this number and he really puts effort in.

Who says Dylan can’t play guitar? I think he can and he proves it to us here.

A guy youtube said he couldn’t play harmonica very good – he said he only gets away with it ‘coz he’s Bob Dylan.

I thought that was bullshit.

Bob Dylan covers by the guy who runs DylanTube

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Come listen to me play Bob Dylan songs on my Gee-Tah.

I don’t even know the date or venue but my guess would be some time in 1998 about mid-year. If anyone knows the date and venue of this show, please let me know!

The band would have been:
David Kemper – Drums
Tony Garnier – Bass
Bucky Baxter – Pedal Steel
Larry Campbell – Guitar

This is only the second version of this song I’ve heard. Post sixties of course. Did he do it much in the early 60s?
Anyway, the first version I heard was from a copy of the ‘Mercury Lounge’ show in Melbourne, 1998. I’m pretty sure there weren’t a huge amount of seats sold and many would have been reserved. Was/is the ‘Mercury Lounge a part of Melbourne’s Crown Casino. Don’t know and I don’t really care – they played an awesome show.

What I care about is the way Dylan uses his voice in this period of his career – particularly 1997-1998. To me the melody lines and phrasing patterns Bob uses vocally are very sound and executed, delivered brilliantly.The chord progression is beautiful in this version of the age-old song Pretty Peggy-O, which would go by many a’name as well. The song is elegantly performed by Bob Dylan and his band.

The song is called ‘Street Rock’ and features Bob Dylan first up, rapping for a verse and leaving the rest to Kurtis Blow until he raps a little more at 6 minutes, 12 seconds.

I think Bob does a real good job of it. Dylan would have been a huge influence to rappers and I’m sure Bob himself would have been influenced by rap when he changed his approach on doing songs in 1987. What do you think about that?

Relax in your chair and enjoy this wonderful version of ‘Sound of Silence”. The camera work is excellent as is the sound. The song begins with a slow musical intro; The beautiful melody of the classic song. Dylan and Simon honing in on each other having a musical conversation with their guitars.

Singing with Bob Dylan would not be the easiest thing and you have probably heard evidence. This time Bob closely follows Simon and provides at times well timed backup vocals using good notes. For the better part of the song Simon’s and Dylan’s eyes are locked in together allowing them to work in harmony.

After the first verse the pedal steel and drums kick in – David Kemper and Larry Campbell are fantastic players. If you have read previous posts on DylanTube you would know I love Larry Campbell’s steel playing. He makes that four-legged guitar cry.

After the 2nd verse Bob walks over to his amp and picks up one of his harmonicas and plays some strong lines full of emotion.

I’m glad we have a video of this performance!

Regardless of what you hear Renaldo and Clara is a must watch and you gotta sit through the whole thing. Smoke a joint, have a glass of wine or a beer – whatever relaxes you, and just get into it. It does go for a long time but it is well worth it.

I think the RTR versions of this song are pretty good and I love it when the band builds it down at 2.22 and Mansfield, Rivera and Roger McGuinn play this great thing that you gotta hear to believe.
Speaking of McGuinn I think the two tours really took it out of him, but I think it would take it out of anyone. Lots of drugs and heavy drink keep you up and throw you down.

Was anyone lucky enough to see one of these shows in 1975?

Most of us have seen Bob and Joan sing this classic song in the early sixties and mid seventies and it is good to see them up on stage together more recently – even though it was about 26 years ago. Apparantly their last live public performance together was in 1984 which is a shame. I would love to see them do some duets together today as I think she would be one person that would keep Dylan on his toes.

What do you think of the jacket Bob wears in this video? I think it looks cool as snow. Bob looks in particulary good shape here probably due to being more sensible with his lifestyle?
Joan sort of looks like a school teacher singing a song to her young students. I think this performance is a good one anyway – What do you think?

This may not be the best version of this song from the tour but I enjoyed Dylan raving on about the empty seats to his right. He said he wouldn’t sing until the people sat in the seats. Pretty funny.
There are some great harmonies between Bob and Tom and a few mistakes that they have a bit of a chuckle about.
Being a huge Self Portrait fan I had to post this. I love the version of this song on that album.

Any Self Portrait lovers here?